intactile © DESIGN

Designing ease of use – is complex.

Previous case study Next case study

Case study

Medical digital interfaces

Case study

Aeronautics, Research and Safety

Case study

Smart objects

Case study

Interactive exhibition device

Case study

Visualization & Big Data

Intactile DESIGN elaborates and realizes digital interfaces
taking into account the position of the user. For this, we practice a design methodology where creativity and innovation express themselves in collective intelligence.

News

Intactile DESIGN receives the Industry Star!

Photo - Intactile DESIGN receives the Industry Star!

Observeur du Design 2018: Industry Star is awarded to Intactile DESIGN for the B612 project, an open source typeface optimized for airplane cockpit screens. Thanks to our research partner DGAC / ENAC, and our industrial partner Airbus! Discover the B612 project here and the price on the APCI website.

View all news

B612 Font Family, made by intactile DESIGN

Photo - B612 Font Family, made by intactile DESIGN

Labelised “Observeur du Design”, B612 is an highly legible open source font family designed and tested to be used on aircraft cockpit screens. To learn more about the project or download the font (Regular, Italic, Bold, Bold Italic, Monospace), visit b612-font.com

View all news

A font labelised in the french “Observeur du Design”!

Photo - A font labelised in the french “Observeur du Design”!

The B612 typeface, designed for Airbus by Intactile, with ÉNAC in order to improve the lisibility of pilot-system interfaces for future aircraft, has been awarded the Design Observeur’s Label. It now competes to receive a Star of Design in December 2017. Find the 587 signs, multi-alphabets, symbols and pictograms, from December 5th at the exhibition helding in the Center Pompidou, Paris.

View all news

Methodology

Integrating design in the early sessions of conception avoids reducing its effect to a final surface treatment and allows it to be really creative.

Our method is based on the idea that the opening out and the blending of business cultures are potential participatory design sessions. Creativity is born of dialogue between the different stakeholders: the business expert, the engineer, the marketer, the designer and, of course, the user. For the user is obviously at the centre of the design process. Questioning should revolve around user context and user issues.

The designer designs "with". Assembling a team of actors around a table offers a rich potential for creativity, essential for good co-design. The designer becomes a mediator between several disciplines. In turn, he listens, provokes discussion and synthesizes ideas, points out inconsistencies and puts forward design ideas.

Read more